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History says Anne Boleyn lost her head. Rebecca Lehmann asks—what if that wasn’t the end? In The Beheading Game, Anne’s story begins in darkness, in a box, in pieces. This is historical fiction with a twist… and what a twist it is. Horror? Fantasy? Something in between? Anne awakens with her severed head resting between her knees—and that’s only the beginning. What unfolds is equal parts unsettling and mesmerizing as she stitches herself back together—literally—and rises with a singular purpose: revenge, and the fierce determination to protect her daughter, Elizabeth. It’s a haunting, genre-blurring reimagining that is impossible to look away from.
From the first pages, I was hooked.
Lehmann reimagines the Tudor world with vivid attention to detail. While the premise leans into the fantastical, the setting feels grounded and authentic—from the rigid class divides to the stark contrast between courtly life and the struggles of ordinary people. Watching Anne navigate life beyond the palace walls—living in the streets, finding herself in a brothel, and forming unexpected alliances—adds a compelling layer of growth to her character. Her shifting perspective on class and power is one of the novel’s most interesting evolutions.
This Anne is not the polished historical figure we think we know—she’s angry, determined, and unapologetically driven. And honestly? It’s hard not to root for her.
Blending intrigue, danger, and emotional depth, The Beheading Game becomes both a love story and something far darker—a nightmare threaded with ambition and survival. It’s immersive, bold, and surprisingly believable in the way it reshapes a story we thought was already written.
Perfect for fans of historical fiction who enjoy a reimagined edge—and for readers who appreciate stories about women who refuse to stay silent, no matter the cost.
Published by Crown Publishing (a division of Penguin Random House) this past March, this one definitely earns its place on the shelf.
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